The French Defense is a vast opening. It has a distinct flair to it that attracts players of all strengths. Some players like Wolfgang Uhlmann are such devout French players that they have played only the French defense throughout their entire career.
What makes the French so attractive is the fact that above all it is a battle of ideas. You get variations where the fight is between the static and dynamic factors. At the same time, you can also get completely symmetrical positions that require precise maneuvering.
It is this wide range of possibilities that makes the French Defense stand out from the rest.
Learning such a deep and complex opening can feel challenging. This can be overcome by starting from the basics of the opening and progressing further step by step.
This article will act as a starting guide on your journey toward the mastery of the French Defense.
Important Concepts in French Defense
Black’s Queen Bishop
In the starting position of the French Defense, White has open diagonals for both the bishops. In contrast, things are not so simple in Black’s camp. Playing 2…e6 opens the door for the f8 bishop but closes the diagonal for the c8 bishop. The Black e-pawn is unlikely to advance; thus, the bishop on c8 has no future on the c8-h3 diagonal.
So how to solve the problem of the bishop? It can be developed on b7 after b6 or on c6 after the Bc8-d7-c6 maneuver. But this post is not so bright because the black pawn on d5 is set in stone.
By process of elimination, the only post nearby is a6. This post holds promise for the bishop as it is often exchanged for the white bishop on f1.
In the following game, GM Yasser Seirawan executes this plan. Then proceeds to use the absence of the light-squared bishop by posting a knight on f5 (A typical post for the knight in the French Defense).
Timman – Seriawan, Lone Pine 1978
What if you want to preserve the light-squared bishop and post it to an active square? It is possible to achieve this. This is one of the most common maneuvers in the French Defense.
- Activating the light-squared bishop via d7-e8
It is possible to activate the bishop through a long maneuver. The path taken by the Bishop is c8-d7-e8-g6/h5. This is typically seen in the variation where Black plays f6 or pushes the f-pawn.
The maneuver costs several tempi but this is where the closed nature of the opening helps us.
White’s Central Pawn Wedge
With the constricting move 3.e5 White announces his intentions to claim space advantage and a possible kingside attack. These concepts will play a decisive role throughout the game. The pawn thrust to e5 changes the position for White in two ways
- White’s pawn chain on the dark squares confers a space advantage.
- White’s Bishops acquire greater mobility.
Therefore, if White succeeds in developing his pieces into good squares, then he will have better chances in the ensuing middlegame. Now unless Black does something, he’s going to be crushed.
Black counters this by putting maximum pressure on the center. Ideally what Black wants is to destroy White’s center. Therefore Black aims to play the c5 and f6 break. Later the Black’s pieces will spring into action to occupy the weakness left over as a consequence of the pawn advances.
But more often than not it is not easy to destroy White’s center. Instead, Black argues that White to support his pawn center has to develop his Queenside pieces unnaturally. And this time-consuming maneuvering by White will negate the benefits of his Space advantage.
Understanding French Pawn Structures
We get the Closed center from the Advance Variation. When the center is closed action will take place on the wings.
- White’s Plans
Since White has the Space advantage White should attack the part of the board where the opponent is weaker. In the French, White achieves this by playing for a pawn attack with f2-f4 -f5 and g2-g4. The idea is to open up lines for the pieces where Black is weaker.
Even if a successful breakthrough is not feasible then the space advantage gained due to f4-g4 thrusts can be used for the pieces. White can slowly build up his pieces on the Kingside for a future attack.
- Black’s Plans
Black should prepare counterplay quickly. The counterplay should come from a central pawn breakthrough.
Black does this primarily in two ways through the c5 and f6 breaks. He should be mindful that these pawn breaks can change the nature of the center.
Black can also aim for counterplay on the wings. Since White has the upper hand in the center Black should be careful and stop any direct threats from White first before proceeding with his plans.
Isolated Pawn Center
The isolated pawn center positions arise a lot in the French. It is often seen in the Tarrasch variation. This pawn structure can also be reached via the Exchange variation. The typical ideas for an Isolated Queen Pawn (IQP) apply for these positions.
White has a good square for his pieces in front of the isolated pawn on d4. White can post a knight on this square.
Black has played down the c and e files. The c4 and e4 squares are possible outposts for his pieces.
For more details on How to Play the IQP check out this guide.
Backward Pawn Center
The Backward pawn center arises when Black executes the f6 break and White exchanges on f6. The e6 pawn is a static weakness that needs constant attention.
- White’s plans
White has a potential outpost on e5 for a knight. He can also target the backward e-pawn with this Rook and Queen.
The following game shows how White can exploit these weaknesses.
Karpov-Hort, Budapest 1973
- Black plans
From the above game, it is clear that Black must play actively and look for counterplay. Black has the half-open f-file for counterplay. Since Black has accepted a long-term static weakness, he has to play actively to compensate for it. Pieces exchanges should be generally avoided because endgames would be better for white.
The following game shows the attacking potential of Black’s position
Govedarica – Uhlmann, Vrbas 1977
The Advance Variation arises after the moves 1.e4 e6 2.d4 d5 3.e5
Here we see that the center is Closed and has the typical central pawn wedge.
The center is stabilized after the exchanges. For white, d4 forms the base of the pawn chain. This makes the d4 square a prime concern for both sides. The pawn can be further pressured with maneuvers like Nbc6 and Qb6. Another common maneuver is Ng8-h6-f5.
White counters these maneuvers by playing Nf3 and Na3-c2. Both the Knights do a good job of defending the vital d4 point.
From the initial maneuvering, it may seem that the position is calm but a quick central break can change the situation drastically.
White is happy to develop normally and realize his space advantage methodically. Black on the other hand has to actively look for counterattacking opportunities.
Model Game: Moehring vs Uhlmann, 1982
Advance Variation: The Modern 6.a3
The enterprising move 6.a3 has become popular in recent times. The real question is can White afford to play a non-developing move when Black has his eyes on d4?
The answer is yes. Since the position is closed, White is just in time to organize counterplay. The idea behind a3 is to play b4 and pressure the c5 square.
Evgeny Sveshnikov was one of the foremost experts on the advance variation. In this game, he demonstrates the key ideas in the 6.a3 line.
Model Game 1: Sveshnikov – Casper, 1987
Model Game 2: Grischuk – Vitiugiov, Moscow 2010
The Exchange variation arises after the moves 1.e4 e6 2.d4 d5 3.exd5 exd5
The position might look equal but it does not lead to a dead draw. Since the pawn structure in the center cannot be easily altered the minor pieces determine the pattern of play.
Bishops are especially important in these positions. They have several possibilities for deployment on long diagonals. One of the key ideas for Black is to exchange the light-squared Bishops. Black hopes to achieve this by Ne7 followed by Bf5. Naturally, White can also use the same method (Ne2 and Bf4) to look for an exchange.
The key to keeping the position active is to play asymmetrically. Either side can obtain the advantage with a slight slip from the opposition. An interesting option is to castle on opposite wings to generate chances.
Model Game: Kovacs – Kortchnoi
The Winawer Variation arises after 1.e4 e6 2.d4 d5 3.Nc3 Bb4
Unlike the Advance and Exchange variations, White looks to maintain the tension in the center with 3.Nc3. The principal idea of the Winawer variation is to create dynamic imbalances.
Black creates this imbalance through the exchange of the Bishop for the Knight. After 3…Bb4 the bishop is ready to be exchanged for the knight on c3. After the exchange c2-c3 pawns are weak. Therefore, the pawn structure on the Queenside favors Black.
White’s compensation is that he has the two bishops. The dark squared becomes an important piece as it has no counterpart. White often uses the a3-f8 diagonal to generate play. Subsequently the move a4 with the idea Ba3 was one of Fischer’s favorites against the French Defense.
In the Winawer Black is eager to transform the game into an endgame as he has better prospects due to White’s static weaknesses.
Hence it is a battle of Statics vs Dynamics. A battle of ideas. Therefore, Winawer games are generally very tactical with counterattacking chess at its core.
We get the Tarrasch variation after the moves 1.e4 e6 2.d4 d5 3.Nd2
Similarly to 3.Nc3 with 3.Nd2 White aims to retain the tension in the center. The reason for putting the Knight on d2 is to discourage Bb4. If Black plays Bb4 now then white can play c3. White aims for a long-term strategic buildup in these positions.
The consequence of the move 3.Nd2 is that it doesn’t put much pressure on the center and thus gives Black a free hand. Black has two fundamental ways of approaching the game.
Black can liquidate the game with 3…c5 to get free play for his minor pieces.
The model game demonstrates how to play this line as White.
Karpov – Uhlmann, Madrid 1973
Another choice is to play 3…Nf6 This leads to a different type of game than 3…c5
Now White closes the center with 4.e5. With this move, we transpose to the Central pawn wedge structures.
The Classical variation starts after 1.e4 e6 2.d4 d5 3.Nc3 Nf6
The move 3…Nf6 invites White to change the nature of the center. White can play e5 and we get the Central Pawn Wedge. After 4.e5 Nfd7
Black can quickly counter in the center with c5. The difference in the position is that the White knight is on c3 so White doesn’t have the immediate option of c3 to defend the d4 point. This is the point of Black’s play as Black argues White’s pieces are clumsily placed to defend the central pawn structure.
White has another idea in mind. After the d4 pawn is exchanged White bolsters the center with f4. This leads to an interesting battle for d4 since it is empty and the space advantage on the Kingside for White gives him attacking chances.
The following game shows the typical ideas in this line.
Kasparov – Timman, Horgen 1995
But the move 4.e5 is not forced, as White can also maintain the tension for one more move by 4.Bg5.
Here Black can play 4…Bb4 and ignore the threat of e5. In theory, the move Bg5 can lead to several other lines like 4…dxe4, 4…Be7.
The King’s Indian Attack
1.e4 e6 2.d3
White can also employ the Universal King’s Indian Attack against the French defense. White aims to play a line resembling the King’s Indian Defense. The position remains closed for a while. A positional struggle ensues.
White attacks on the Kingside and Blak must seek counterplay on the Queenside.
In this system, both sides carry out their respective attacking plans, more or less regardless of each other.
Model Game: Savon – Uhlmann, Skopje 1968
Traps in the French Defense
The Rubinstein Variation Trap
Rubinstein Smothered Mate
Winawer Discovered Attack
Winawer Queen Trap
Is the French defense aggressive?
Yes, some variations of the French defense are aggressive and tactical.
Why is it called the French defense?
The opening was named the French Defense after it was first played in a correspondence match between Paris and London.
What are the main lines of the French defense?
The current main line of the French Defense is the Advanced variation.
Is French Defense a positional opening?
The French Defense is also a positional opening. Many variations lead to a quiet struggle where positional understanding is essential.